Rhythm Contains Within its Bounds a Certain Lawlessness
Saturday, June 27, 2009
The body is the first source, and music is the art with the nearest proximity to the body. “It [music] is lodged on lines of flight that pass through bodies, whereas painting is lodged farther up, where the body escapes from itself.” This escape, or the urge or movement towards escape is paramount, for it propels the art (or the rhythm within the art) towards chaos, or as Immanuel Kant would describe it, towards the sublime, which surpasses form and is not purposive, yet linked to a higher purposiveness.
Kant asserts that it is “in its chaos that nature most arouses our ideas of the sublime, or in its wildest and most ruleless disarray and devastation”. There is, beneath this chaos, a constant. Deleuze calls it a “a germ of order or rhythm” ; For Kant, it is the unit of measure used to apprehend the magnitude of an object. Coltrane was conscious of this “germ of order” as he wrote; beneath the elaborate structure of Ascension is the stark skeleton of melody and metre.
Meanwhile, go see the Francis Bacon retrospective at the Metropolitan. It's stunning. Read more...










